Month: July 2026

From Worst to First, and Beyond

A last-chair saxophone player’s slow climb to first chair, and the band director who never let contempt into the room. A long-overdue than you

We are downsizing, and my wife has asked me to do a bit more of the sorting than I’d prefer. That’s how I ended up on the floor of a closet with a box of photographs across my lap, the kind of box you mean to go through quickly and never do. Many of them were from high school. There were pictures of family and friends, but a surprising number were from band. We were standing on football fields, sitting on buses, and wearing uniforms I’d forgotten we ever wore. The faces of the people I spent those years beside were all there, and looking at them made me think about the man who’d stood behind nearly all of it.

Mr. Winter was one of the most influential people in my life. I hadn’t thought about him in a while. Once I did, I couldn’t stop.

I came to band the way many children come to things. I wanted to belong before I fully understood what I was joining. My sister was already in high school, and one of her best friends played saxophone. The band at our high school had been good for years. People came to football games as much for the band as for the team, and more than a few left after halftime, once the show they’d come to see was over. It was a program with a reputation, and even as a child I understood that being part of it meant something.

It wasn’t just the locals who thought so. While I was in the band, it received the Sudler Flag, an award recognizing the finest high school bands in the country, and ours was the first in the state to earn it. The honor reflected what the program had built long before I arrived, but I was there when it came, and that felt special. It was exactly the kind of thing a child wants to be part of, even before he understands the work required to belong there.

What captured my imagination most, however, was the traveling. Every third year, the band went somewhere significant for a competition or a tour. My sister’s friend had gone to Europe, which seemed impossibly glamorous to a fifth grader growing up where I did. The band would later become the first from our state to march in the Rose Bowl parade, and during my sophomore year we were scheduled to travel to Washington, D.C., for the Cherry Blossom Festival. I didn’t know any of those destinations when I chose the saxophone. I knew only that if I joined and stayed long enough, I’d eventually get on that bus and go somewhere that felt much larger than the world I knew.

So I chose the saxophone and imagined the rest would follow. I’d become part of something great, take the trip, and collect the kind of experience that seemed to belong to older and more interesting people.

The problem was that I didn’t enjoy band, at least not in junior high. I didn’t like to practice, it didn’t come naturally to me, and as a result I wasn’t very good. It was a reliable formula. I avoided the work, remained bad at the thing, and then used being bad as further justification for avoiding the work. Junior high is difficult enough on a child’s confidence. Your body is changing without consulting you, and whatever certainty you possessed a few years earlier quietly disappears. Practicing at home, where someone might hear me, wasn’t something I wanted to do.

It didn’t help that my father was both a perfectionist and a genuinely gifted musician. The person most likely to hear me could also hear exactly what I was doing wrong. So I didn’t practice, and because I didn’t practice, I remained at or near last chair for most of those years. There is no hiding a thing like that. The seating chart announces it for you.

By the end of junior high, I’d developed a plan. I’d stay in band through my sophomore year, take the major trip, and then quit. The band was going to Washington, D.C., and I’d already endured too many uncomfortable years to walk away before the reward. In my mind, the arrangement was settled. I’d hang on long enough to see Washington and then put the saxophone away for good. The trip had always been the goal. Band was simply the price of admission.

None of this was a plan I shared with anyone. So when I went to my parents, sooner than my own schedule called for, and told them I wanted to quit outright, I wasn’t really asking. I knew what they’d say. It was the kind of thing teenagers do, rattling a door to see whether it’s still locked. It was.

My father believed in what music education could do for a person, and he wasn’t prepared to let me leave simply because I was frustrated. He was a surgeon, and surgeons aren’t inclined to reopen a decision once they’ve closed it. I resented the rule at the time, but he was right. Had he allowed me to quit when I wanted to, the story would have ended there, somewhere near the bottom of a junior high seating chart.

My mother was different. She looked for another solution, and the solution she found was private lessons. Somehow, my parents persuaded Mr. Winter to teach me. He didn’t take many students, but once a week for the next three years, he took me.

I’ve never known exactly why he agreed. Perhaps he saw something in me, although there wasn’t much evidence available at the time. Perhaps it was simply a little extra money on the side. Years later, after I became a teacher myself, I came to think there was another explanation. Good teachers don’t reserve their effort for the students who make teaching easy. They work with the student sitting in front of them and try to move that person forward. Mr. Winter had done that for the students who came before me, and he’d do it for those who came after, because that was the kind of teacher he was.

His house wasn’t far from the school, an ordinary home with a black trumpet standing near the entrance. The trumpet was his instrument. The saxophone, unfortunately for both of us, was mine. The lessons took place in a small office where we warmed up with scales in different keys and then worked through whatever the band was rehearsing. I’d play a passage, and he’d interrupt. A missed note, a rhythm I’d gotten wrong, or a phrase that bore only a passing resemblance to the music on the page, and we’d stop.

He figured out fairly early that I learned by ear. If I heard something played correctly, I could usually imitate it. He’d pick up the trumpet, play the phrase, and have me play it back to him. Sometimes he made me count the rhythm aloud, which felt childish but worked. He could become frustrated. I could see that. But he never once let contempt into that room. He corrected me without humiliating me. He didn’t get angry, and he didn’t make me feel small, which wasn’t always how correction felt at home.

Don’t mistake his patience for softness. In that small office, and later in the band room, he pushed me harder than I’d have pushed myself. He was demanding, structured, and occasionally intimidating. Some people thought he bordered on authoritarian. I eventually came to believe there was an important difference between an authoritarian and a disciplinarian. An authoritarian pushes for control so that the person in charge remains at the center. A disciplinarian pushes the group, and every person within it, toward excellence.

With Mr. Winter, it was never about him. It was about us. He believed that through discipline, hard work, and consistency we could become great, and he ran the room like a man who meant it. He demanded excellence, and we wanted to give it to him. I wanted to be excellent, and I think most of the others did too.

I remember him telling us once that we needed to be at the practice field by five o’clock. He let that sit for a moment, and then he explained what he actually meant. If you arrived at five, you were late. If you arrived at four fifty-five, you were also late. You were expected to plan for the unexpected, the flat tire, the fender bender, the train that might hold up traffic, whatever might keep you from where you needed to be. To this day, when I have somewhere to be, I arrive fifteen to twenty minutes early. He wasn’t really teaching us about punctuality. He was teaching us that showing up late let down everyone else who had already arrived on time.

Even when we were certain we’d improved, he found the small thing still wrong. The spacing was off in the marching formation. The trumpets were too loud in the jazz band. Someone had missed an entrance. The clarinets needed to give more. Everything was held together by structure, and all of us were accountable to it. There was no false praise in that room. If he told you something was good, it was good, which is exactly why it mattered so much when, on the rare night we truly put everything together, he’d tell us the performance had given him goosebumps. He wasn’t a man who traded casually in that kind of praise, so it meant the world. You worked an entire season hoping to hear one sentence like that. I understand now that he tended to say it in the day or two before a concert or a competition, which meant it was less a report on what had already happened than his way of telling us we were ready.

I don’t know exactly when the lessons began to work. There was no single morning when I woke up able to play. The improvement arrived quietly. Through the challenge system, I’d sit across from the player ahead of me, and we’d compete for the chair. I began to move up, one seat at a time. I moved out of last chair, climbed through the ranks, and eventually moved out of the lowest band.

One of those moves meant more than the others. Throughout junior high and the beginning of high school, I’d played the second part, the harmony, which never made much sense to my ear. I wanted the melody, the line the song seemed to be built around. When I finally won my way onto a first part, it felt like more than another chair. It was the difference between singing lead in a rock band and standing in the back with the other harmonizers. I was carrying the tune now.

As I moved upward, something happened that mattered more than the seating chart. I gained confidence. For the first time, I began to enjoy not merely belonging to the band, which was all I’d originally wanted, but the music itself. I enjoyed reading it, interpreting it, and performing it. The thing I’d spent years avoiding became something I looked forward to.

I started practicing. The high school had small practice rooms, and that was where I did most of it. At home, I learned to find times when the critical ears were elsewhere. I was finally doing what my father had always hoped I’d do, but I was no longer doing it because he expected it. I was doing it because I wanted to improve.

The trip to Washington came during my sophomore year. For years, it had been the finish line. I’d planned to endure band long enough to take the trip and then quit. By the time we returned, however, I no longer wanted to leave. The lessons had changed the bargain. They had taken something I was merely surviving and turned it into one of the greatest experiences of my life.

Sometime during my junior year, I made the permanent jump from the junior varsity band, the concert band, to the varsity, the symphonic band. Make no mistake, symphonic was the A-team, the place you wanted to be. The move came with a small indignity. Climbing into a stronger band meant returning near the bottom, which put me back on the second part again. This time it didn’t bother me. I’d stopped keeping score of first parts and second parts and started caring about the music. I trusted that if I continued to work, the climb would come.

By my senior year, I reached first chair. I’d gone from worst to first, although I’d never describe myself as an outstanding musician. I was good, and I felt good about what I could do. Somewhere along the way, I’d come to love all of it: the band, my friends, the performances, the trips, the music, and the life that surrounded it. That was the real distance traveled, farther than the chairs could measure.

That same year, Mr. Winter gave me another responsibility I hadn’t seen coming. Before each concert selection, I stood in front of the audience and explained what they were about to hear. He wrote out the introductions and made me rehearse them until they were right, the same way he made me practice everything else. The boy who’d spent years hoping no one was listening was now the person he placed in front of the audience to speak.

After graduation, I thought about playing in college but decided against it. I didn’t believe I had enough ability to justify the time it would require while keeping my grades where they needed to be, so I let it go. I still have the saxophone. During the current purge, I’ve considered selling it so that another child might get from it what I eventually did, later than I should have, but not too late.

College led to law school, and through both I found myself relying on lessons Mr. Winter had taught me without ever intending them to apply beyond the band room. I learned the discipline required to work toward a goal, the value of preparation and repetition, and the importance of refusing to settle for work that was merely adequate. Nearly a decade after I graduated from high school, his influence was still shaping what I did every day, which is probably why running into him in a hallway in Madison, right after I argued my first case before the state Supreme Court, felt like something closing a circle.

The court was holding a traveling session that year, hearing cases in a college theater with members of the public seated in the audience. I was nervous. When the argument ended and I walked into the hallway, Mr. Winter was standing there.

He told me he was in town to fish and had seen that the court was holding a session, so he decided to come. I don’t think he drove to Madison specifically to see me. I suspect he noticed my name and decided to stay, which is somehow the better version of the story.

We spoke for only a minute. He told me I’d done a good job, and then he said something I’ve remembered ever since. You were always a good speaker, he told me. He was right. Years before I stood in a courtroom, he’d placed me in front of concert audiences and made me practice speaking until I could do it well. Like a good teacher, he’d recognized something in me and pushed me to develop it long before I understood that was what he was doing.

We talked briefly about where life had taken us. He said it was good to see me, and then we went our separate ways. That was approximately thirty years ago, and I believe it was the last time I saw him.

I cherished those three years in that band as much as almost anything else in my life. I’m still in touch with a few of the people who stood on those fields and stages beside me, though I’ve lost touch with most of them. A fortieth reunion is coming this fall. I don’t know yet if I’ll go. But if I knew Mr. Winter would be there, I’d give serious consideration to making the three hundred fifty mile drive to see him.

Mr. Winter is still alive. He’s in his nineties now and, as far as I know, still lives in the same house with the small office where I sat across from him all those years ago. I can’t repay him for what he gave me. I’ve tried to carry the lessons forward, applying them to my own life and passing them along when I later stood in front of students of my own. What I never did was thank him the way he deserved to be thanked.

Perhaps he’ll read this. Perhaps someone back home who still knows him will see it and place it in front of him. I hope so, because this is the thank you I should have given him a long time ago. Thank you for taking on a student who wasn’t very good and didn’t yet care enough to become better. Thank you for demanding more without making me feel small. Thank you for seeing something in me before I knew it was there. Thank you for turning an experience I intended to abandon into one of the defining experiences of my life.

It began with a box of photographs and all those faces from band. Mr. Winter appeared in only one of them, and even there he was just a figure in the background. But he was in every picture, all the same.

The 8.3 Miles We Keep Walking

Someone I was dating in college made me watch a movie I had no interest in seeing. Somewhere in Time. I went along with it the way you go along with things in college, more interested in the company than the film. Then Christopher Reeve fell in love with a photograph, Rachmaninoff started playing, and somewhere in the middle of a story about a man traveling back through decades for a woman he’d never met, I stopped being polite about watching it and started actually watching it.

The hotel looked like something from another century, which it was. I didn’t know its name yet, but I knew I wanted to stand inside it someday.

Not long afterward, I bought some cologne, and four mugs came free with the purchase, each printed with a different historic hotel. I couldn’t tell you the other three today, but I still have the fourth. The print has faded from years of dishwasher cycles and daily use, but it still says Grand Hotel, Mackinac Island.

That mug’s made every move I’ve made since. It went with me through law school, to Pierre, to Canton, to Sioux Falls, and then to another house in Sioux Falls. Almost forty years have passed, and it’s never once been left behind.

Years later, my wife and I were trying to decide where to go on our honeymoon. I suggested Mackinac Island. When I explained why, she told me she’d seen the same movie. Not a similar movie. The same movie, with the same hotel and the same Rachmaninoff. Neither of us knew anyone else who’d watched it, so we booked the trip.

The day we first crossed over was cloudy, late May, with fog low enough to swallow the island whole. Standing on the shore in Mackinaw City, I couldn’t tell which direction to look because there was nothing out there to see yet. Then the ferry pulled away from the dock, and somewhere in the middle of the strait, the fog thinned enough to let the island through.

Fort Mackinac appeared first, high on the bluff. Then came Grand Hotel, long and white and exactly like the movie, except it wasn’t a movie anymore. It was real, and we were finally close enough to walk to it.

We stepped off the ferry into the combined smell of horse manure and fudge, which isn’t something anyone warns you about but is something you never forget. We didn’t know which way to walk. There were signs pointing travelers toward Grand Hotel, but half a mile feels different when you’re new somewhere and don’t quite trust the directions.

We kept walking and waiting for the hotel to appear the way it had from the ferry. It took longer than it should have for a half mile covered on foot at a reasonable pace. Excitement does that. It stretches distance instead of shortening it.

Grand Hotel has a dress code for dinner, including a jacket and tie for men after six, and walking into its dining room for the first time was its own kind of time travel. Some men wore sport coats, while others wore tuxedos. Women arrived in evening gowns, and the entire room had a formality that’s difficult to find anywhere else now. Nobody seemed uncomfortable with it. It felt like the natural way to end a day on an island where nothing else moves very fast either.

My wife loves to dance. After that first year, we signed up for lessons so we could actually do it properly, the foxtrot, the waltz, the jitterbug. She took to all of it. I took to it the way a man takes to something his wife loves more than he does, which is to say I learned the steps and stopped complaining about them. We still dance when we’re there, though not every night anymore. Some nights one of us is simply too tired, and we’ve reached the age where we admit it.

That first trip belonged entirely to discovery. We splurged on a bottle of French wine with dinner one night, the kind of extravagance that felt enormous to two people just starting out. We walked more than either of us had walked in years, enough that my legs ached in a way they never had before, but every mile felt worth the ache. The island made us feel as though we’d discovered something no one else knew about. That feeling remained even with a hundred other honeymooners making the same discovery a few feet away.

The boys came a few years later, and with them came a different kind of walking. The first time we covered the full 8.3 miles around the island, we did it on bicycles. Our older son was ten and pedaling behind us on a bike with no gears. He was working three times as hard as we were to cover the same ground, and somewhere along the shoreline road, he began narrating the injustice of it out loud. I couldn’t tell you whether he was whining or simply providing an accurate report of his circumstances. It was probably a little of both.

The perimeter loop was only part of the walking we did during those family trips. We walked to the Woods, not for the restaurant but for the duck pin bowling alley next door. We walked downtown for fudge and whatever souvenir had become that trip’s obsession. We walked to the fort and actually toured it, including the reenactors, cannon fire, and entire production, which is exactly the sort of thing my wife and I tend to skip when it’s just the two of us. On ambitious days, we walked to British Landing on the far side of the island. It was about as far as small legs could go before turning back made more sense than pushing forward.

The shape of the day depended on the weekend. Memorial Day, when we first visited, had very little scheduled around it. We’d begin with an enormous breakfast in the Grand’s dining room and spend the rest of the day working it off. Lunch was wherever we happened to find ourselves. Then came a nap, because you can’t dance all night without one, followed by dinner, dressed properly, and dancing afterward. Labor Day eventually became our favorite. Mornings belonged to walking, while midday brought a cookout and jazz concert. Then came the nap, dinner, and dancing. It had the same bones as our first Memorial Day trip, only now there was usually a saxophone playing somewhere in the background.

The weather never signed on to any of it. We’ve packed for one season and lived through three, worn sweatshirts in the morning, rain gear by noon, and shorts by late afternoon, sometimes all in the same day. You learn to bring everything and expect to use it.

That kind of day, replayed with small variations, is what comes to mind when people mention books I’ve never actually read. I’ve never read James Joyce’s Ulysses. I’ve read enough reviews and commentary to understand the idea, and several people whose judgment I respect consider it one of the greatest books ever written. I don’t know whether I’ll ever actually read it. But if I ever tried to write a book in that style, following people through the ordinary events of a single day, my day would take place on Mackinac Island. It would begin with breakfast in the Grand’s dining room and move through the paths, the fort, the horses, the fudge shops, and whatever lunch presented itself. There would be a nap in the afternoon, dinner after six, and music somewhere in the evening. Nothing extraordinary would have to happen, because on Mackinac Island the day itself would be enough.

Earning that kind of day on foot, though, took years. For a long time, walking the full 8.3 miles in one stretch seemed excessive when a bicycle could cover the same ground in a third of the time. It wasn’t until we were older that walking became the point rather than the obstacle. The perimeter is flat, paved, and wide enough to walk beside each other, but the interior is different. Paths climb toward the cemetery, the fort, Sugarloaf, the natural arch, and the governor’s summer residence. Some narrow into dirt trails just wide enough for one person. Others open into gravel roads where we can walk side by side again. Five minutes from the shoreline, the island becomes a completely different place.

The Woods has changed too. It was once where we took two tired boys to go bowling. Now it’s a quiet place where the two of us walk for dinner. The fort is still there, but we no longer feel compelled to tour it. Downtown still smells like fudge and horses, although we’re less likely to come home with a souvenir. The island has remained much the same, but we’re the ones who have changed. The walking that once seemed like something to endure has become one of the reasons we return.

Our last two trips came after Covid and after Grand Hotel changed hands, sold by the family that had owned it for nearly a century. There have been updates, some we like and some we don’t, but the bones of the place remain the same ones we fell in love with from a ferry deck in the fog. We stopped booking the basic room somewhere along the way. On one trip, we upgraded to a suite so magnificent that it remains one of the nicest rooms either of us has ever stayed in. Another trip put us in the Teddy Roosevelt room, and I’ll leave you to imagine what that involved. No two rooms at Grand Hotel are decorated alike. That may be the whole point of the place. We can walk the same 8.3 miles a dozen times and never have the same day twice, and sleep in a different room on every visit and never run out of ways to see the same hotel again.

The far end of the island is where it gets quiet. Most people never make it out there, and if you time it right, early enough or late enough, you can stand at the north shore and have the whole thing to yourselves. The water stretches north toward Canada, and there’s nothing to hear but the wind and the water against the rocks. We stood there on our last trip, the two of us, not saying much.

I don’t know what my wife thinks about when we stand there. I’ve never asked. I think about the Ojibwe who crossed this water long before there was a hotel or a fort or a fudge shop, the early travelers in canoes making the same crossing we made on a ferry, looking at the same strait we were looking at. Twenty-five years of marriage and I still can’t tell you what’s going through her head at that railing. That’s not a complaint. It might be the reason we keep coming back.

When we first started coming to the island, we were some of the youngest people staying at the hotel. The crowd has always skewed older, and back then we noticed it. We don’t notice it the same way now, because we’ve become it. The clientele never really changed. We did. These days I find myself watching the young couples, the ones on their honeymoons, and hoping a few of them are falling for the place the way we did, so that someday they’ll be the older ones standing at the north shore, wondering where the years went.

In a few weeks, we’ll move into a new home, and the faded Grand Hotel mug will make the move with us, just as it’s made every move since the mid-1980s. It’ll be wrapped in paper, placed in another box, and carried into another kitchen. The hotel on its side is harder to see than it once was, but it’s still there, holding the memory of a movie, a honeymoon, two boys, many trips, and all the miles we’ve walked together.

The House Did Its Job

For many years, I have loved going to bookstores. The new releases. Certain topics. The sale rack. The ritual of browsing without knowing what you will find. It was probably around 2007 when I was in one of those bookstores and a title caught me: The Big House.

I pulled it off the shelf thinking it was about Michigan Stadium, about the Wolverines, about the kind of place that holds a region’s memory and sells overpriced sweatshirts to people who should know better. I don’t know why I thought that. The jacket made clear I was wrong almost immediately. It was George Howe Colt’s memoir about his family’s summer home on Cape Cod, the house his great-grandfather built in 1903, the Atkinson house, the place that held five generations before the family finally decided to sell it.

Even though the book was about something completely unexpected, something I ordinarily wouldn’t have picked up, I bought it anyway. I didn’t know it yet, but this was the book I needed.

What I didn’t know then was why I needed it. I had left houses before. College houses. Rental houses. Temporary places where you owned a few dishes, a bad couch, and the confidence of someone who did not yet understand compound interest. But the first real house I lost was the one I grew up in, and I didn’t choose to lose it.

My parents built that house from the ground up, the same way our family would later build a cabin and, eventually, the same way my wife and I would build our own dream house. I watched it go from a foundation and framing to something we actually lived in. I got a say in it too, or at least the kind of say a kid gets. I picked my carpet. I picked a football mural wallpaper for my room, the kind that seemed like the most important decision of my young life at the time. It was mine before I understood what that meant, and it stayed mine right up until it wasn’t.

That understanding arrived all at once. I learned around Christmas of my senior year in college that my parents were leaving Rapid City. My dad got a job that required a move, three hundred and sixty miles away. My parents would sell the house I had grown up in. When I came home for Easter, it had already sold. I walked through it knowing I would never see it this way again. It was the house where most of my memories lived, or at least where I thought they lived then. I had never been through losing a place like that before, and deep down I was afraid the memories might disappear with it.

Something did die with that sale, or at least it felt that way at the time. My dad had always had a house to go back to, and he took us with him. I assumed I would have the same thing to give my own kids someday, that I could walk them through the house I grew up in the way my dad had walked me through his. I didn’t know yet that a homebase isn’t something someone simply hands you. You build it, and eventually you lose it. My grandparents lived in the same house for over fifty years. I understand now how rare that actually is. What died with the sale wasn’t the house. It was that assumption. It was, in a way, my youth.

Graduation was on a Sunday. That night, I moved out of my college house and drove to my parents’ new house. A couple of days later, my parents arrived with everything else from the childhood home. My dad would die in that house years later, but it was never home to me. It was the place where the furniture landed after the life had already happened somewhere else.

I never got to pack my own things. I never got a final walkthrough alone. I never got to say goodbye the way I wanted to say goodbye. It wasn’t cruel. It was life. My parents were doing what needed doing, and I was old enough to understand that, but not old enough to know what to do with the ache of it.

That is how it happens sometimes. People come and go. They die. They move away. Houses sell. The world doesn’t pause so you can stand in an empty bedroom and negotiate with the wallpaper. You don’t always get the closure you think you’re owed.

What I got instead was everything my parents couldn’t let go of. My parents were raised during the Depression. Their parents lived it. Nobody in that lineage looked at a coffee can full of screws and thought, “Well, that has served its purpose.” A few months after my dad died, I bought my first house and acquired many of my parents’ things, especially the kind of things you need when you are starting out in a home of your own. Furniture. Dishes. Tools. The practical leftovers of a life already lived, now put to work for a life just beginning.

Six months later, my grandmother died, my mother’s mother, and I inherited some of hers as well. Less than a year after my dad died, my mother downsized to a small two-bedroom condo and gave me the practical Midwestern version of estate planning: come get it or it’s getting thrown away. That was when the books came. The voracious reader’s library. His slides and eight-millimeter movies. His tools and his father’s name tag from Firestone, which I still have. Artwork and furniture and knickknacks. Dishes and silverware. A Vikings helmet lamp. A trumpet lamp. Complete sets of nails and screws and bolts that I would never use.

Even my fifth grade spelling book came along.

It all traveled from the childhood home to my parents’ new home, then to my house in Canton, then to my first marital home, and finally to the dream house. I moved it from one location to another, rarely using it the way it was meant to be used. Deep down, I believed that holding onto their things would keep them alive. If I let the objects go, I feared I would lose them all over again.

When my wife and I got married, there were tense moments. She said no, not everything comes with us. My fifth grade spelling book had to go. But I got to keep the report on the platypus, because a man has to draw the line somewhere.

My wife was not so much happy with the purge as she tolerated the settlement. She was practical. She saw boxes. I saw my father’s hands, my mother’s handwriting, and my grandparents’ stubborn Depression-era refusal to throw away anything that might someday be useful to someone, somewhere.

I tried to explain to my wife what it was like to lose a parent. Both of hers were living then and are living still. Mine have been gone for most of our married life. That wasn’t her fault, of course. It was just one of those uneven facts marriage has to absorb. She could sympathize, but she could not yet know the strange arithmetic of grief, how a useless object can feel heavier than it is because it seems to contain a person you are not ready to lose again.

So she did what practical spouses have done since the beginning of time. She shoved my stuff into a closet so she didn’t have to look at it and waited for me to become a little less ridiculous.

Over the years, I did get better, although not quickly enough to be confused with personal growth in real time. About five or six years ago, I finally admitted another purge was necessary. Not a gentle Saturday afternoon of sorting. Not three tasteful donation boxes and a cup of coffee. I rented a full-size construction dumpster and gave myself about ten days.

I gave some of it away. I sold some of it. Most of it, if I am being honest, was junk that needed to go. I moved fast. I made decisions. I threw things away before memory could hire a lawyer and file an appeal.

That purge helped. It made the house lighter. It made me lighter too, although I probably wouldn’t have said it that way at the time. But it didn’t solve everything, because by then the collection had stopped being just theirs.

Over time, my wife and I added our own layers. Wedding gifts. Baby furniture. School projects. Sports equipment. Christmas decorations. Books of our own. Photos. Framed art. The boys’ trophies, toys, drawings, games, blankets, stuffed animals, and mysterious plastic things that apparently mattered deeply for six weeks in 2009 and then became permanent residents of the basement. The house became part grandparents, part parents, part us. It held four generations of memory, some of it beautiful, some of it useful, and some of it waiting patiently in a storage room for a purpose that was never coming.

That is what made the purging harder. We weren’t just deciding what to keep from my parents. We were deciding what to keep from everyone. Every box seemed to ask the same question in a different voice: Is this still part of the story, or is it just something we have been carrying because no one wanted to be the one to let it go?

Long before that final purging started, though, there was another house that taught me the same lesson the hard way. The cabin arrived when I was about twelve and remained in the family until I was in my mid-forties. We built it from scratch, another place meant to hold us. We skied. We snowmobiled. We did things there that I won’t itemize here, mostly because my parents are gone and I still prefer not to disappoint them retroactively. My dad had his first heart attack there shoveling snow. After that, we got a phone.

We gathered there sometimes for Christmas, often for New Year’s. College friends came. Law school friends came. I lived there one summer. The cabin became more than a structure in the Black Hills. It became the place I went when I needed to remember who I had been before life got complicated.

I brought my future wife there while we were dating. It was a test, although I doubt I admitted that out loud at the time. She needed to love the cabin, maybe not as much as I did, but at least a little. I tried to explain how important it was to me and how important the Black Hills were to me. She came from the plains, so naturally I called her a flatlander, because romance has many languages and mine apparently included mild geographic condescension.

She passed. She understood what the cabin meant, or at least understood that I needed it to mean something. We got married in the Black Hills, and we spent our first night together as husband and wife at the cabin. It wasn’t the first time she had been there, but it was the first time as my wife. I now shared the one place I had always felt at peace with the person I had chosen to spend my life with.

We went back often. We walked and hiked in the Black Hills. We took our kids there from the start. They loved it, except for the time my oldest hit a tree skiing and cracked his skull, which is the sort of family memory that starts as trauma and slowly becomes a story everyone somehow gets to tell at dinner. There was also a Christmas Eve when we drove to a small Episcopal church in Lead and experienced one of the most intimate and spiritual services I have ever been part of. The cabin was still the one place where everything felt right.

But the geography had shifted. When I was young, the cabin was only an hour away. It was a natural gathering place, close enough to be refuge rather than project. As I got older, as my own life expanded, five or six hours became the new distance. Every holiday and school break required a pilgrimage. What had been a refuge began to feel like an obligation. When my parents passed the cabin to me and my sister, and then eventually to me alone, I understood that I could not hold it the way they had.

Before we sold it, the cabin frequently appeared in my dreams. The dreams were not subtle. I would be there again, walking through rooms, looking for something, trying to keep the place intact. Sometimes, in the dreams, we had built additions. Other times, there were secret rooms I had somehow forgotten, or we had made modifications that changed the place without changing what it was. It was bigger, stranger, and not quite real, but it was still the cabin. I understood even then that the dreams were the part of me that could not let go.

Then I read Colt’s book. A family held a century-old summer home on Cape Cod through five generations and finally decided to sell it. The book understood the weight of that kind of place. It understood the guilt, the inheritance, the obligation, and the quiet relief that can come when a family finally admits that love and ownership are not the same thing.

It wasn’t quite the same attachment I see in my professional life, the kind a farmer feels for land that’s been in the family for generations. But it was an attachment. Different scale, same root.

Something in that story gave me permission. We sold the cabin. The dreams stopped. The letting go was real.

That lesson mattered because, by then, my wife and I had already built the next place we would someday have to release. In 2004, we decided to build our own house. We had gone to countless open houses looking for something that would work for our family, and nothing did. We hired an architect friend who listened to what we wanted. We found the builder. We found a lot in a new neighborhood. We extended ourselves beyond what we probably should have because we believed it was worth it.

It was a farmhouse with a Grand Hotel-inspired porch, modeled after the porch at the Grand Hotel on Mackinac Island, where we honeymooned after our wedding in the Black Hills. Each boy helped design his room. My wife had her space. I had mine. We built the house to fit us, not the other way around.

Christmas mornings happened there. Birthdays happened there. We gathered around the dining room table for dinners that mattered and around the kitchen counter for most of the meals that made up actual life. Both of our boys graduated from high school while living in that house. We took prom pictures there, everyone dressed up and pretending not to be nervous while parents took too many photos. My mother’s ashes spent a night there before we took her to Rapid City for burial. The boys had friends over and made noise in the basement. The house filled with the sound of boys becoming men.

But we always understood, at least in theory, what the house was for. We built it to hold a family while that family grew. We built it for bedrooms full of laundry, backpacks in the wrong places, friends in the basement, shoes by the door, and the daily racket of raising children. We didn’t build it as a museum. We didn’t build it as a monument. We built it for a chapter.

When our youngest left for college, we came home to rooms that were too empty, too quiet, and too big. We did some remodeling. The house remained the gathering point during holidays and school breaks, and for a while that was enough. But my wife and I had always talked about moving once the boys were gone. The house had done what we built it to do, even if admitting that felt like betrayal.

Four months ago, my wife and I looked at each other and said it was time. We got serious about fixing things, cleaning things, sorting things, and facing all the things we had carefully placed in closets so we could pretend they didn’t exist. We talked with a realtor. He gave us the comps. Then came the work no one puts in the real estate brochure: decluttering, painting, repairing, deciding, and standing in the garage wondering how two people had acquired enough stuff to provision a small expedition.

In the middle of that work, I found a stack of letters. My parents had written them to each other years before they married, back when they were dating and living in separate cities. I held them for a moment. I knew what the younger version of me would have done. He would have kept them without thinking. He would have placed them in a box, moved them three more times, and told himself he was preserving something sacred.

I resisted the urge to read them. They weren’t mine to read. Whatever my mother held onto them for, whatever reason she had for keeping them all those years, that reason had nothing to do with me.

I threw them away.

That wasn’t what made us decide to sell the house. We had already made that decision. But it felt like confirmation. My parents’ love for each other didn’t live in a stack of paper. It lived in the fact that I existed, that they built a life together, and that everything after those letters became the actual story. Keeping them wouldn’t have preserved their marriage. It would have given me one more box to carry.

And then, last week, the decision became real. The realtor came at 1:30. We sat at the kitchen counter, the same counter where we had eaten most of our family meals over twenty-two years, saving the dining room for special occasions, and we went through the paperwork like it was any other Tuesday. He asked if we were ready. My wife and I looked at each other and said yes.

The house had never looked better, which felt like its own strange joke. Twenty-two years of raising boys, and somehow the place looked its best on the day we decided to let it go.

The photographer showed up within the hour. She moved room to room while I stood in the kitchen not quite knowing what to do with my hands. The realtor left at 3:00. By 3:30, a text came through: a showing scheduled shortly after five. By 3:45, another text came, another showing shortly after six.

We couldn’t be there for it, so we did what we do. We grabbed Ginger and drove to the brew pub, the one we always end up at on Halloween, and ordered a couple of beers while trying to act like people who weren’t waiting on the biggest phone call of the year. Another text came in about a third showing. We stayed for three hours, longer than we meant to, because leaving felt like admitting something.

We got home. Not long after, the phone buzzed. We had an offer. Five hours. The house we built to raise a family in took less time to sell than it takes to watch a Vikings game go sideways in overtime.

Once we signed the purchase agreement, the work shifted immediately. We had done some preliminary looking already and had a basic idea of what we wanted next. Our realtor sent us fifty-six more choices. My wife and I went through every one of them, built a scorecard, made checklists, and narrowed the list to three we wanted to see in person.

But we already knew. A week after we sold our house, we made an offer on another one.

It won’t have room for all our stuff. That’s fine. We will make new memories there instead of trying to force the old ones into every closet and drawer. There will still be enough room for the boys to visit, even if it’s smaller than what they grew up in. My dad grew up with four siblings in a house that would make this one look enormous. You can fit a lot of people into a house when the people matter more than the square footage.

The letters are gone. The spelling book is gone. Most of the nails and bolts and knickknacks are gone too. What remains is what matters: my wife, the boys, Ginger, and thirty years of memories that never really lived in a box or a drawer or an attic in the first place.

My wife keeps asking me which things I want to keep. For a long time, that question would have sent me into a spiral. Now I tell her the truth: it doesn’t matter anymore. We keep what we need to keep. We throw away what we need to throw away. We give away or sell the rest. It’s not indifference. It’s the opposite of indifference. It’s finally understanding what the things were never able to hold in the first place.

I am sure I will be emotional over the next few weeks as we say goodbye to this house room by room and closet by closet. But I have been through this before. I know now, in a way I didn’t know at twenty-two, that leaving doesn’t mean losing. The memories come with me because they never needed the house’s permission in the first place.

Most of what I write is for me. It helps me think through things I haven’t fully worked out yet, and if someone else reads it and takes something away, that’s a bonus I don’t take for granted. But this one is different. This one I hope my boys read.

To my boys, if you ever read this: the house is gone, but you are not. Christmas morning still happened. Your friends still laughed in that basement. Your mother and I still watched you grow from boys into men inside those rooms. A sold sign cannot change that. A deed cannot erase it. A key can be handed to someone else, but a childhood cannot.

You can sell a house. You cannot sell a family. We are still us. We will always be us.

Colt taught me that in a bookstore in 2007, before I understood why I needed to know it. The cabin taught me again when the dreams finally stopped. Now, with boxes half packed and a new front door waiting, I know it one more time.

The house did its job. It’s somebody else’s turn now.

What We Owe the Next Generation

I was still staring at a blank screen when the first one went off.

It wasn’t a gentle reminder that the Fourth was approaching. It was a concussive bang, the kind that travels through the window glass and lands somewhere in your chest before your brain has time to process it. Then several more in quick succession. I pushed back from the desk and looked outside, already composing the old man complaint in my head. In another neighborhood, in another part of the world, I might not have assumed fireworks. That thought crossed my mind before the ordinary explanation arrived, which probably says something about the times we live in and the age I have reached.

Then I saw the kids running across the yard, my yard, chasing the parachutes, those little plastic soldiers drifting down through the summer air. Every one of them was laughing. Pure, uncomplicated, this-is-the-best-day-of-my-life laughing. The kind you can hear through glass. I had to actively suppress the get-off-my-lawn instinct that apparently arrived sometime in my fifties without asking permission. The old man complaint dissolved before I could finish writing it, because the sound had annoyed me before I understood it, and their laughter corrected me.

It pulled me back to the version of myself who would have run just as hard across someone else’s grass, because parachutes falling out of the sky felt like a miracle and property lines were an adult invention. I remembered, not as an abstraction, not as something that happened to someone younger who used to be me, but the way you remember something in your body first. A lake. A trailer that my grandparents called a cabin, which was generous. Fireworks reflecting off the surface of Mina Lake while the summer dark came down around us, and a boy who would have been running too.

* * *

Mina Lake is different now. The cabins have become homes, the kind with proper foundations and square footage and lake frontage that costs what it costs. But when I was growing up, my grandparents had what they called a cabin, which had been, as best I can tell, a repurposed food trailer. Small enough that changing clothes required optimism about personal space. I’m told it was the first cabin on the lake, which I choose to believe makes it historic rather than humble.

Every Fourth of July, we drove six hours to get there. One uncle lived nearby and was always there. My uncle from Michigan often made the trip. My aunt came from Missouri. Another uncle moved wherever Boeing needed missiles pointed at something, Montana, Wyoming, Washington state, and he came too. Most of the cousins came, not all, but most. My grandpa had some contraption rigged for fishing that would alert him when something took the line, which struck me as ingenious. One year, one of my uncles brought a boat, and the lucky ones got rides. I still remember that as the year the lake got bigger.

Mostly, I remember everybody being happy. I know this partly because of photographs. Everybody smiling. The lake behind them. A boy squinting into the summer sun who would grow up to be me. At some point the day would wind down and we’d head back into Aberdeen, to Grandma and Grandpa’s house or a hotel, and the lake would go quiet behind us.

My grandpa died in 1982, and the tradition died with him. I don’t remember anyone announcing that. Families rarely hold a meeting to declare that something beautiful is over. One year it is simply gone, and only later do you understand that what felt like a place was really a person. Mina Lake was the cabin, the cousins, the boat rides, and the fireworks on the water. But mostly it was Grandpa, and when he was gone, the lake was never quite the same.

* * *

When Mina Lake faded out, the Fourth did not disappear. It relocated. Families do that. Traditions rarely announce their retirement. They just move to another yard, another grill, another set of adults pretending they are in charge. For us, that meant family friends in Rapid City, people whose lives had been braided into ours long enough that the distinction between friends and family was mostly technical.

Our families had been neighbors once, built our houses at the same time with the same builder. The houses were similar without being the same, the same era of carpet, comparable doorknobs and railings, enough shared DNA that walking into their house felt familiar in a way you couldn’t quite explain. All the parents have since passed. Most of the kids moved away. But one still lives in that house, nearly fifty years after it was built, which is either a testament to loyalty or to really good construction, and probably both.

Their house was a beautiful ranch sitting above a canyon, with a swimming pool and a view that made you feel like the whole Black Hills had been arranged for your personal enjoyment. The Fourth of July there was simple in the way that only childhood can make things simple. Kids swam. Kids shot fireworks into the canyon under the loose supervision of adults who were doing what adults do at summer parties, which is to say they were drinking and preparing food and pretending to watch us more carefully than they were. In retrospect, it’s amazing there were no fires.

One of us dropped a lit punk into a bag of fireworks once, which nearly caused several simultaneous cardiac events among the adults who were supposedly supervising. At some point the food appeared. At some point we ate. At some point we went home. The fireworks arced out over the canyon and disappeared into the dark, and nobody thought much about what any of it meant. That was the point. You didn’t have to think about what it meant. It just was.

That is how the Fourth felt to me then: noise, food, water, cousins, smoke, and adults who seemed to know what they were doing. I had no sense that the country itself could be tired, or divided, or unsure of what came next. I had no sense that adults were often improvising while hoping the children mistook it for confidence. I had inherited the celebration before I inherited the complication.

* * *

I remember the bicentennial. I was under ten, which meant I understood the festive parts and none of the complicated ones. Red, white, and blue everywhere. Commemorative quarters that felt like holding history in your palm. The $2 bill made a comeback that year, and people collected them because they were certain the bills would be worth something someday. I still have several. They never really caught on, except at a small bar in Pierre, South Dakota, where you can still spend one today, which feels like exactly the right fate for a $2 bill.

What I didn’t understand at the time, though I’ve since filled it in, was that the country was in rough shape. A president had resigned in disgrace two years earlier. The fall of Saigon had happened the previous spring, a war ending not with victory but with helicopters leaving a rooftop. Inflation was eating at everything. It was an election year, and nobody felt particularly good about their choices. The country was celebrating its 200th birthday with the enthusiasm of someone who needed the party more than the cake.

And yet, the flags were everywhere. The quarters were in every pocket. That fall, my family got on a plane and flew to the British Isles for three weeks. Even the passport was bicentennial themed, red, white, and blue, as if the government wanted to make sure you remembered what year it was every time you opened it. A kid from South Dakota visiting the people we’d spent 200 years being independent from. If that isn’t optimism, I don’t know what is.

* * *

Years later, when Wanda and I had children of our own, I don’t think I consciously set out to recreate any of that. Parents rarely do. We just reach for the pieces that still glow and hope our kids will remember them someday with more grace than accuracy. The place changed again, because traditions keep moving until they find a place to land. For us, for a long time, that place was Mackinac Island.

Wanda and I spent our honeymoon on Mackinac Island and went back every year for the next thirteen years. We’ve returned a few times since. The island gets into you that way. Someone told us early on about the Fourth of July celebration at the Grand Hotel and Fort Mackinac. An old-fashioned picnic and carnival, they called it, and that’s exactly what it was. Kids playing games from the late 1800s. Hot dogs and hamburgers. Nathan’s Hot Dog Eating Contest on whatever television they could find, because some traditions require witnesses. The kind of carnival where you swung a hammer as hard as you could and tried to ring the bell at the top, which nobody ever did, but that was never really the point.

One year our youngest played the same carnival game over and over until he won a Detroit Lions football. The determination required for that achievement was either admirable or concerning, and probably both. We took our oldest when he was about ten. Later we brought the whole family. And when our youngest was about ten, he got his own trip too.

In the evening you dressed for dinner, because that’s what you do at the Grand Hotel, and afterward everyone gathered on the long porch to watch the fireworks launch from barges out on Lake Huron. The barges were hidden behind tall Norwegian pines. You’d hear the launch, sometimes catch a trail of light climbing through the dark, and then wait for the explosion to bloom right in front of you, eye level with the porch, which is as close to fireworks as a person should reasonably get.

The year we brought the whole family it was foggy. You heard the launch. You saw a bright flash somewhere in the gray. That was mostly it. Our four-year-old rendered the official verdict: rip off. He wasn’t wrong, but we went back anyway, because that is what families do when they are building memories. They overpay, overdress, misjudge the weather, take the same pictures, tell the same stories, and hope that some small part of it sticks.

* * *

But inheritance is not only made of lake water, canyon smoke, porch lights, carnival games, and children declaring things a rip off. Some things are handed down because they are joyful. Others are handed down because forgetting them would be dangerous. Eventually, if we are lucky, someone teaches us that the celebration and the complication belong to the same story.

In my senior year at Augustana, a January term capstone course took a group of us to Minneapolis for a few days. One morning we visited a Holocaust center where survivors came to speak. I remember a woman who survived Auschwitz. I remember she rolled up her sleeve. I spoke with her. I don’t remember exactly what she said. What I remember is that she chose to be there, and that it cost her something to show up, and that she did it anyway.

I think about my dad’s cousin who shot down 24 Japanese planes in World War II. I think about a former law partner who never knew his father because he was killed before his son was born. I think about standing on Little Round Top and Cemetery Ridge at Gettysburg and trying to understand what it cost to hold that ground, and failing, because some things can’t be understood from a distance. You can only stand there and feel the weight of it.

Freedom isn’t free. That phrase gets said so often it’s stopped meaning anything, which is its own kind of tragedy. The people who actually paid for it didn’t get to say it. They just paid. These aren’t abstract debts. They’re personal ones. She showed up anyway. She kept saying not today. And because enough people across enough generations made the same decision, we’re still here, still arguing about what the experiment means, still shooting fireworks into canyons and watching them explode at eye level over Lake Huron.

* * *

Maybe that is why monuments matter when they are doing their job. Not because they settle the argument, but because they force us to stand still long enough to remember there is an argument worth having. I grew up thirty miles from Mount Rushmore, close enough to stop seeing it and old enough now to understand that was my mistake. I’ve seen it hundreds of times, in every season, in every light. There’s a version of it you stop noticing, the way you stop noticing anything that’s always been there. And then something shifts and you see it again, really see it, and it stops you cold.

Years ago I was fortunate enough to get a private tour that took me to the top of the monument. I sat on George Washington’s head. I don’t say that to be glib. I say it because there is no way to be in that place and not feel the full weight of what was carved out of that granite, and why, and what it cost. At some point I also appeared in a scene filmed there for General Hospital, which is either the most South Dakota thing that has ever happened to me or the least, depending on how you look at it.

What Gutzon Borglum started in 1927 transformed Western South Dakota. It still does. Every year millions of people make the drive through the Black Hills and stand at the base of those four faces and feel something they didn’t expect to feel. Last night, on the eve of America’s 250th birthday, Mount Rushmore became one of the places chosen to mark the moment. Of all the places in America, it was there. The Black Hills of South Dakota. Four faces carved into granite. A monument to an experiment that was never supposed to work and somehow keeps working anyway, imperfectly, stubbornly, at great cost.

There ought to be a day, at least one, when the labels get set down for a while. Not because everything is fine. Not because we agree on what the country has been or what it should become. We don’t. We never have. But in 1976, when the country had real reasons to doubt itself, people put on their bicentennial shirts and collected their quarters and celebrated anyway. Not because everything was fine. Because the alternative was unthinkable.

But countries are not preserved only at monuments. They are preserved, or neglected, in neighborhoods. They are preserved in whether we remember that the kid running across the lawn is not an interruption of the day, but part of the reason the day exists. They are preserved when someone keeps lighting the grill, keeps inviting the cousins, keeps making the drive, keeps telling the story, keeps showing up even after the person who started the tradition is gone.

* * *

By the time you read this, I will have clipped Ginger’s leash and we will have walked. The neighborhood quiet, the way it only is before the day remembers what day it is. Flags on porches. An empty street. The smell of something someone is already putting on a grill at an unreasonable hour.

This is what I’ll think about. A boy at Mina Lake watching fireworks reflect off the water. A canyon in Rapid City and a lit punk dropping into a bag of fireworks and several adults suddenly remembering they were supposed to be supervising. A foggy night on the porch of the Grand Hotel and a four-year-old’s verdict. A woman in a room in Minneapolis who survived Auschwitz, who rolled up her sleeve, and showed a kid from South Dakota what the cost of forgetting looks like.

Two hundred and fifty years. The experiment continues. Not because it’s easy. Not because we always get it right. But because enough people, in enough generations, decided to show up anyway.

Tonight, throughout America, kids will be out with sparklers and firecrackers, chasing parachutes across their neighbors’ lawns. There will be people annoyed by the noise. There will be people wishing everyone would just get off their lawn. That’s part of it. That’s always been part of it. Let them have the noise for a night. Let them have the parachutes. Let them believe, for a few more years, that the whole thing is as simple as sparks in the dark and people gathered nearby.

Show up anyway.

* * *